Posts tagged: guitar scale theory

Guitar Scale Lesson: How to Read Guitar Scale Diagrams

Before we examine how to play guitar scales, we need to first look at how to read guitar scale diagrams.

The following fretboard diagrams represent isolated sections on the neck of the guitar. The vertical lines represent the strings, while the horizontal lines represent the frets.  The strings are numbered from the thinnest (1), to the thickest (6).

To save space, only the applicable portion of the neck will be shown for each scale.  So, instead of showing all of the frets on the guitar, we will just show a representation of the portion of the neck we need.

Numbers found on the left side of the grid indicate specific frets.  If there are no numbers beside a grid, assume that it represents the first five frets.

How to read fretboard diagrams for scales

Fret-Hand Positioning

All fingerings for guitar scales and melodies using the Berklee system are based on the principle of one finger per fret.  This means that if you position your first finger on the fifth fret, the following will happen: your first finger will play all notes found on the fifth fret, your second finger will handle the sixth fret; your third finger will play notes on the seventh fret and your fourth finger will play notes on the eighth fret.  Of course these fingering principles don’t always apply to chords, but they do for scales and melodies.

In some situations you will find it necessary to have one finger play the notes on two frets.  Instead of shifting your whole hand up or down one fret, it is most practical to leave your hand in one position and have one finger cover the notes on two frets.  The finger that will do the stretching will either be your first finger or your fourth finger.  Occasionally you will encounter circumstances that will require a double stretch with your first and fourth fingers.

guitar scale fingering no stretches

No stretches

guitar scale fingering 1st finger stretch

First finger stretch

guitar scale fingering 4th finger stretch

Fourth finger stretch

guitar scale fingering double finger stretch

Double stretch, first and fourth fingers

C major guitar scale fingering

As you can see in the above fingering for the major scale, each finger is assigned a specific fret and would play any note on that fret.

C major guitar scale fingering 2

The black notes represent the root notes in the scale. The root note is the note that tells you the letter-name of the scale.  The grey notes are the other scale tones.  Other books and publications may use different symbols to indicate the location of the root notes in scales.

Scales are usually practiced from the lowest-pitched-note to the highest.  If the above scale form is positioned so that the first finger is on the 7th fret, you would have a C major scale.  Here is how you would play the C major scale.

C major guitar scale fingering 3

C major guitar scale in tab

Well, there you go.  You now know the basics of reading guitar scale diagrams.  The best way to practice guitar scales at first is to play them ascending and descending­—this will allow you to become familiar with the fingering and sound of the scale.

Guitar Scales: What’s the Best Way to Play Guitar Scales?

So What is the Best Guitar Scale Fingering System?
It all depends on whom you ask.

Most guitar players tend to favour the first guitar scale fingering system they learned.  After all, it’s the way they have always played guitar scales, so it must therefore be the best, right?

The guitar scale fingering system that I use and recommend is the Berklee fingerings.  These are the guitar scale fingerings that I use for playing, teaching and in my books.

Most college and university level music programs use these guitar scale fingerings as well.  But not all do.  So again, as I mentioned in “Guitar Scales: What’s Wrong with Guitar Scale Fingerings”, each system has its own pros and cons.

The premise behind the Berklee guitar scale fingerings is very simple:  there is a guitar scale fingering built off of each note in the scale.

Since the major scale has seven notes in it, there are seven guitar scale fingerings for it.  There is a separate fingering starting on each note of the scale.

The first advantage of this system is that it keeps things really simple.  Seven note guitar scales have seven fingerings—one starting on each note.  Six note scales have six fingerings.  Five note guitar scales have five scale fingering patterns, etc.

The other great thing about the Berklee system is that it takes into consideration the bio-mechanics of your hand.  It’s set up so there are no position shifts within each guitar scale fingering.  This makes the Berklee system a really good system for improvisation, arpeggios, sight-reading, etc.

Before we take a look at some guitar scale fingerings, we need to take a look at how to read scale diagrams.

This will be the topic of my next post.  See you soon!

Guitar Scales: What’s Wrong with Guitar Scale Fingerings

Has this Ever Happened to You?

You’re jamming with a friend and he or she plays a guitar scale that you know fairly well. The strange thing is you notice that your buddy uses a completely different guitar scale fingering than you were taught.

Or, what about this?

You look up a scale fingering in a few guitar scale books and see that each book shows different ways to play the same scale.

What gives?  Who’s right?

How Do You Know Which Guitar Scale Fingerings are Correct?

The guitar is an interesting beast.

Just like the piano, it has a long and diverse history. However, over the years piano technique has become pretty much standardized.

This means that most pianists will play a C major scale the exact same way.  On the guitar however as you’ve probably already discovered, it’s very different.  If you ask five guitarists to play the C major scale you’ll probably be amazed and perhaps even shocked at what you get.

On the piano as you move to the left, the notes get lower in pitch.  Move to the right and the notes get higher.

On the guitar you can move across the strings to get higher or lower pitched notes.  Or, you can move up or down the fretboard to produce higher or lower pitched notes.

Something else to consider is the presence of unisons.  A unison is simply two notes of identical pitch and letter-names.  The note C on the first fret of the second string can also be played on the third, fourth, fifth and sixth strings.  You can play this C on the first fret of the second string, on the fifth fret of the third string, on the tenth fret of the fourth string, on the fifteenth fret of the fifth string, or on the twentieth fret of the sixth string.  On the piano this note can only be played on one key.  So on the guitar the million dollar question is: “which C should you use in that scale?”

Don’t Worry

By now you’re starting to understand a little bit about what we are dealing with here.  The good news is you don’t really have to worry about any of this.

Over time different systems have evolved for playing guitar scales.

So Many Different Guitar Scale Approaches…So Little Time

What you need to know is that there are many different but overlapping approaches to guitar scale fingerings.  The confusion lies in the fact that guitar technique and guitar scale fingerings are not really standardized.

Classical guitarists tend to use an older system for playing guitar scales, while contemporary guitarists will use newer systems that are based around five or seven fingerings.

All of the systems for guitar scale fingerings work.  Each has its own distinct advantages and disadvantages.  For every great guitar player you find that uses one guitar scale fingering system, you can find another great guitarist that uses a different system.

This explains why you can find the major scale shown many different ways in guitar scale books.  One book might be based on one system while another guitar scale book might use a different guitar scale fingering system.

So What is the Best Guitar Scale Fingering System?

This I’ll answer in part 2 of this post