Category: Lead Guitar

Lead Guitar Solos: 5 Tips for Creating Your Own Unique Guitar Solos

How to Solo on Guitar

When you first start to play guitar, you want to sound just like your favourite guitar player.  But over time, you reach a point where you want your own guitar sound.  You want to create your own unique guitar style.

One of the biggest questions I get from guitar students is, “How do I get my own style?”

The good news is that every guitar player can develop his or her own unique guitar style or sound.  The bad news is it’s not easy and will take some time.

Now there are many steps in the process of becoming a unique and original guitar player.  What we will look at here are 5 tips for getting started on creating your own unique guitar style.

1.  You must imitate before you can originate.

This is the most common way that most guitar players learn guitar, and it really makes a lot of sense.

Learn to play your favourite guitar songs.

Learn them note for note.

Practice them until you can play them along with the recording.

After you’ve been playing for a while and have a good number of songs down note-for-note, you should start to listen to songs you like, and then work on imitating them very loosely.

So at this point, your objective is to get the gist of the song, and put your own take on it.  Yes, you will still want to learn songs note for note, but by learning songs and starting to change them around a bit, you will be on your way to creating your own guitar style.

2.  Master the concept of tension and release.

This is a really big and important concept.

When you listen to any guitar solo, you will hear notes that create tension and notes that relieve the tension.  A guitar solo is simply a repeated pattern of tension and release.

When you create a guitar solo over a chord progression, you are playing either a chord tone or a non-chord tone.  By this, I mean that each note you play in a guitar solo is either a note contained within the chord, or it is a non-chord tone.

Generally, when you play a non-chord tone, you are creating tension.  When you return to a chord tone, you release the tension.

So this means that creating a guitar solo is simply a game you play with tension and release.

The more control you have over this, the better your guitar solos will sound.  How you do this establishes your sound.

3. Begin with a less is more approach.

After most guitarists get their first few scale fingerings down, they begin to improvise guitar solos. More often than not, first attempts at guitar solos sound like musical diarrhea.

The best approach at first is to limit the number of notes you play in a guitar solo.

Here’s what you do: start by playing only one note.

That’s right, just one note for the entire guitar solo.  Start with a simple chord progression like:

|C        F          G          C|

Or:

|C        Am       Dm      G|

Simply play one note from the C major scale (C-D-E-F-G-A-B) over the entire progression.

This will force you to really hear the sound of that one note over each chord.  You will hear how one note can sound beautiful over one chord and then sound quite dissonant over another.  This is part of the learning process.  Over time, you will want to catalogue these sounds.  This will allow you to start to build your personal guitar solo toolkit.  You will learn what notes work best against each chord. Again, it’s a tension and release thing.

The next step is to pick a different note and repeat this process.

4. Focus on rhythm and timbre.

In addition to starting to hear what each note sounds like against the chords, you should also begin to have some fun with rhythm.  When you can only play one note for an entire guitar solo, you have to do something of rhythmic interest.  So experiment by playing the note with different rhythm patterns.

The next aspect to look at is timbre (pronounced tam’ -ber).  This refers to the quality of sound.  Again, when you are only playing one note, you will need to do something different to create interest.  Look at different ways of attacking the note.  Slide into the note, use vibrato, pinch harmonics, pluck the note, use only up-strokes, use only down-strokes, use alternate picking, etc.

Once you’ve done this exercise with different notes, repeat the process with two notes.  Now you will work on creating a guitar solo using only two notes for the entire guitar solo.

Then repeat the process with three notes, then four notes, etc.

This is very simple but powerful exercise that will really get you on your way to understanding how to create your own guitar solos and in the process begin to establish your unique guitar sound and style.

There are many benefits to doing this exercise.  After you’ve finished the exercise and allow yourself to create a guitar solo with as many notes as you want, you will find that you will appreciate the musical freedom that much more.  Most importantly though, after this exercise, you will find yourself being more economical with your note choice.  You will start to make every note in your guitar solo count.

Now instead of having to guess which notes will work best with each chord, there is a short cut…

5. Learn the basics of guitar music theory

You’ll find that learning the basics of guitar music theory will save you way more time than it takes to learn.

Once you understand the basics of music theory, you will understand the notes that are found in each chord and scale.  This will allow you to take your guitar solos to a much higher level.  You’ll be able to develop your unique guitar style further.  When you understand how to apply music theory to the guitar, you will be able to create guitar solos with chord-scale relationships in mind.  This means you’ll have better control and you’ll find improvisation to be easy and tons of fun.

Now of course you don’t have to learn guitar music theory.  Many good guitar players can’t even tell you what notes they’re playing.  What you should keep in mind is that self-taught-by-ear guitar players usually take the long route to mastering the guitar.  They can be good players, but it usually takes them a really long time to get there.

If you learn to play guitar on your own, you only get to learn from the person facing you in the mirror each morning.  If you decide to get some help from an expert, you get to learn what has worked for the best musicians over the last several hundred years.

In other words, you don’t have to reinvent the wheel.

So why learn by trial and error when you can cut your guitar learning curve at least in half.

Oh yeah, the other great thing about learning guitar theory is you can also turn it off at any time, so no, you don’t have to worry that it will cramp your style, or hurt your creativity–in fact, it’s actually the opposite.

Guitar theory cuts your learning time down and gives you additional tools to boost your creativity.   Isn’t it time to take your guitar playing and understanding of music to the next level? Check out how to totally understand guitar theory super-fast, and transform your guitar playing today.

Lead Guitar Technique: How to Break Free from Pentatonic Scales to Create Your Own Cool Guitar Solos Part 2

Now we will look at the major pentatonic scale and the major scale.

Here are the notes that are found in the C major pentatonic scale:

C         D            E            G            A

Now we will look at  a common fingering for the C major pentatonic scale. If you are not quite sure how to read guitar scale fingerings, read this post: Guitar Scale Lesson: How to Read Guitar Scale Diagrams.

C major pentatonic scale fingering

Now let’s look at the C major scale.

The C major scale contains the following notes:

C         D             E             F             G             A             B

Here is a fingering for the C major scale.

C major scale fingering

What do you notice when you compare these two scale?

C major vs C major pentatonic scale fingerings

Do you see how they share some notes?  The only difference between these scales is the C major scale contains the notes F and B, whereas the C major pentatonic scale does not.

So in other words, if you drop out the notes F and B from the C major scale you will have a C major pentatonic scale.

C major vs C major pentatonic scale notes

The best way to start using the major scale in your guitar solos is to first think of it as simply giving you some extra notes to add into your guitar solos.

Your first step is to make sure you are familiar with both of the scale fingerings shown above.  Then you can start to mix things up a bit.

Exercise #1

Play the major pentatonic scale ascending and then play the major scale descending.  Do this several times until you feel comfortable doing this.

Exercise #2

Next play the major scale ascending and play the major pentatonic scale descending. Practice this until you can easily play it.

Exercise #3

Finally, play the major scale ascending and descending, and then play the major pentatonic scale ascending and descending.

Once you’ve completed the above exercises you are ready to start to experiment with these scales in your guitar solos.

There are two main approaches I would recommend you start with.

The first way to begin creating guitar solos is to make the major pentatonic scale your main scale.  All you do is add in the extra two notes here and there for interest and variety.

Once you fThe World of Scales: A Compendium of Scales for the Modern Guitar Playereel comfortable with the above you can switch it up.  Now start soloing with the major scale as your main scale and simply drop out the notes B and F occasionally.  This means you will now be primarily using the major scale for your guitar solos!

As you can guess, there’s lots more to soloing than this, but this will get you well on your way to creating great-sounding guitar solos.

To learn more fingerings for the major scale and see how they connect over the entire fretboard check out my guitar scale course called The World of Scales: A Compendium of Scales for the Modern Guitar Player.

Lead Guitar Technique: How to Break Free from Pentatonic Scales to Create Your Own Cool Guitar Solos Part 1

It’s a common scenario.

You’ve been playing guitar for a while…

You’re getting comfortable creating your own guitar solos with pentatonic scales.  Actually, you might be getting a bit too comfortable using the pentatonic scales for soloing.   You’re starting to find your guitar solos becoming more and more boring.

You’re looking for more.

You’re looking for a better sound.

What do you do?

At this point most guitarists turn to the major and minor scales.

The problem is the transition. Most guitar players have a hard time adding the major and minor scales to their guitar soloing arsenal.

Today we will look at the first step to adding major and minor scales into your soloing.

The first thing you need to understand is that the pentatonic scale is simply a five-note scale.  There are actually many different types of pentatonic scales.  But for most guitar players, when they talk about pentatonic scales they are referring to the major and/or minor pentatonic scale.

Our focus right now will be on the minor pentatonic scale.

The A minor pentatonic scale consists of the following notes:

A C D E G

Here is the most common fingering for A minor pentatonic:

Now let’s look at the minor scale.  The A minor scale consists of the following notes:

A B C D E F G

This is a seven-note scale.

Here is a fingering for the A minor scale:

What do you notice when you compare these two scales?

Did you notice that they share some of the same notes?

If you were to drop out the notes B and F from the minor scale, you will have an A minor pentatonic scale.

The best way to start using the minor scale in your guitar solos is to first think of it as simply giving you some extra notes to add into your guitar solos.

Your first step is to make sure you are familiar with both of the scale fingerings shown above.  Make sure you have each scale form memorized.  Then you can start to mix things up a bit.

Exercise #1

Play the minor pentatonic scale ascending and then play the minor scale descending.  Do this several times until you feel comfortable doing this.

Exercise #2

Next play the minor scale ascending and play the minor pentatonic scale descending. Practice this until you can easily play it.

Exercise #3

Finally, play the minor scale ascending and descending, and then play the minor pentatonic scale ascending and descending.

Once you’ve completed the above exercises you are ready to start to experiment with these scales in your guitar solos.

There are two main approaches I would recommend at first.

The first way to begin soloing is to make the minor pentatonic scale your main scale.  All you do is add in the extra two notes here and there for extra interest.

Once you feel comfortable with the above you can switch it up.  Now start soloing with the minor scale as you main scale and simply drop out the notes B and F occasionally.  This means you will now be primarily using the minor scale for your guitar solos!

As you can guess, there’s lots more to soloing than this, but this will get you well on your way to creating cool-sounding guitar solos.

To learn more fingerings for the minor scale and see how they connect over the entire fretboard check out my guitar scale resource called The World of Scales: A Compendium of Scales for the Modern Guitar Player.