Archive: September, 2010

Guitar Technique Tutorial: How to Perform String Skipping

Have you ever been working on a guitar song and get to a part where your pick-hand stumbles a bit?

Frequently the cause of this pick-hand stumble is because your pick-hand has to jump over two or more strings to play the next note.  This is called string skipping.

In this tutorial we look at the guitar technique string skipping.  You’ll learn what it is, how to perform it and you’ll learn some guitar technique exercises to help you master it.

String skipping simply means that you are playing notes on one string and then skip over one or more strings to play the next note.  String skipping can be quite tricky at times.  So let’s look at some exercises you can work on to master it.

Be sure to practice each exercise slowly and make sure you produce clear notes.

Generally you will find alternate picking to be the most efficient way to play passages on non-consecutive strings.  But this rule is not set in stone.  Sometimes it will make more sense to use sweep picking.  Context should be the ultimate judge.

String Skipping Exercise # 1

This exercise skips over one string and should be played ascending to the 12th fret and then backwards to the first fret.  The exercise is shown for strings 3—1, but should also be practiced with the following string groupings: 4—2; 5—3; and 6—4.

String Skipping Exercise # 2

This exercise skips over 2 strings and like exercise 1 it should be played up to the 12th fret and then played backwards to the first fret.  The exercise is shown for strings 4—1, but should also be practiced with the following string groupings: 5—2, and 6—3.

The above two exercises just used the finger combination 1-2-3-4.  You can also do string skipping exercises with different finger combinations.  For example, 1-2-4-3, 1-3-2-4, 1-3-4-2, 1-4-2-3 and 1-4-3-2, etc. can all be used with string skipping.

Performance Tip

To finish off this tutorial, I want to leave you with a tip.

When you encounter an area in a song where you frequently make errors,  you should aim to isolate and eliminate the trouble spot.

Let’s say that you are having trouble with the string skip from the fourth string to the first string in the example shown below.

What do you do?

You isolate and eliminate.

You look closer and discover the actual trouble spot in the passage:

So what you do is focus on just the trouble spot.  In other words, ignore everything else and just focus on the notes on the fourth string and the first string.

Practice these two notes:

Once you feel comfortable with this, expand out by adding in one note before the string skip.

Practice this until you’ve got it down. Then add in the next note after the string skip.

Now focus on this passage until you’ve got it down.

Next, simply repeat this process until you’ve added in the notes in the phrase before and after your string skip and bingo─you’ll have that string skip nailed down!

Are you interested in some powerful string skipping chop-building exercises?  Check out Mega Chops: Scale Mastery Beyond Hanon.

String Skipping Exercise # 2

This exercise skips over 2 strings and like exercise 1 it should be played up to the 12th fret and then played backwards to the first fret. The exercise is shown for strings 4—1, but should also be practiced with the following string groupings: 5—2, and 6—3.

An Enlightened Guitar Lesson for Guitar Song Writers and Composers Part 2

It’s time to take the Circle of Influence even further.  In the first part of this exercise we looked at tracing your favourite guitar player’s influences back one generation.

So for example, if your favourite guitarist is guitar player A, you find out who guitar player A’s influences were.  Next, listen to and learn how to play songs written by those influences.

Now let’s take this even further…

Let’s say your favourite guitarist was influenced by guitar player “B”.  After you have listened to guitar player B, find out who B’s influences were.  Let’s say guitar player B was influenced by guitar players E and F.

Now look for recordings of these artists and listen to and analyze their work.

Who were guitarists E and F influenced by?  Continue this process and trace the circle of influence back as far as you can.

As you do this you will probably find some overlapping influences.  For example, a lot of contemporary guitar players have been influenced by Jimi Hendrix, Jimmy Page, Eddie Van Halen, Randy Rhoads, Ritchie Blackmore, Stevie Ray Vaughan, Chet Atkins

I could go on, but I’m sure you get the idea.

Next, look for different bands, or guitarists that were influenced by guitar player B and listen to their music.  See how they were influenced by guitar player B.  What is similar and what’s different?  Is the influence strong or hard to hear?

Now locate their influences.

Trace their influences back further and further.

In addition to listening to all this great music, you should also learn to play some of these songs as well.

When you do this exercise you will hear that a lot the same compositional techniques are shared between artists.  Even the most original and unique guitarists where influenced by musicians that came before them.  Sometimes you can easily hear these influences other times the influence may be very subtle.

If you are an aspiring composer or song writer, you can take this musical influence listening exercise even deeper.

Pick up a copy of a good music history book.  Preferably find one that has recordings of the musical examples contained in the book.  I would highly recommend making the investment in the books and CDs—this way you can take notes and mark up the book anyway you like and listen to the audio anytime you want.

Work your way through a music history book and listen to the recordings.  Listen to the music and also listen for similarities and differences as you move through musical styles and time.

You don’t have to read through all of the details of the composers’ lives, although this can often be quite educational and entertaining, just focus on the music and what is integral to the style of the music.

You should also do this for music of the 20th century.

Learn about the history of jazz, blues, country, rock, folk, etc.  As you do this, start to listen for commonalities and differences across styles.

What chord progressions are favoured in each style? How does this change over the years?  What scales are used? What meters are used? What characteristics are shared across styles?

The next thing to look at is music from different cultures.  Repeat this process with styles of music from different cultures and historical periods.

As you can now see, this is a big listening exercise.  You could easily spend a couple of months on this or even several years!  It’s up to you how far you want to take it.

As you listen to all of these different styles of music you will discover that each style of music has its own unique set of aesthetics.  Some styles may share a significant group of aesthetics, while others will share little or none.

This means that for you to understand and appreciate each style of music you will need to develop a different set of ears to hear within each style.

A great way to do this is learn some music theory.  With guitar music theory you will understand the building blocks of music.  When you understand how music works, you make it much easier for your ears to understand what is going on in a piece of music.  Think of it like this—if you don’t know what a G7b9 chord is do you think your ears will?

Guitar Music Theory it’s easier than you think!  Here’s a quick and easy way to learn the basics of guitar music theory -> guitar theory.

An Enlightened Guitar Lesson for Guitar Song Writers and Composers Part 1

Just as every writer, whether they admit it or not, was influenced at some level by every book they have ever read, so too are guitar players influenced by just about everything they hear.

Everything you actively listen to becomes part of your musical knowledge.  The wider your listening pallet, the more material you have to draw from.

Here we will look at 2 very powerful exercises you can do to improve your understanding of song writing, composition and guitar solos.

These exercises will look at how your favourite guitarist’s style has evolved.

An Enlightening Listening Exercise: The Circle of Influence Part 1

Who is your favourite contemporary guitarist?

Do you know who their influences were?

If you don’t know their musical influences, read through some guitar magazine interviews.

For some good guitar magazine recommendations, see my blog post called -> How to Buy Guitar Sheet Music, Songbooks or Tab and Not Get Ripped Off. (The magazine recommendations are about three quarters of the way down the article.)

Most musicians readily acknowledge their influences.  So it shouldn’t be too hard to find your answers.

If you don’t have access to guitar magazines right now or you want to get started with this exercise right away…it’s google to the rescue!

You can do a quick google search using “who was __________ influenced by?”  Fill in the blank with your favourite guitarist.  Do the search without the quotation marks.  Also try the search with and without the question mark.

Sometimes you will find that guitar players were influenced by different styles of music.  For example, a lot of rock guitarists were influenced by blues guitar players.

Once you know their influences, get a hold of some of their recordings.

Back To School?

Remember that favourite high school test question: “Compare and contrast blank with blank”?  Well here you can have some fun with it…

Can you hear some commonalities between your favourite guitarist and their influences?

What is different?

The Next Step

To take this exercise a step further, what you should do is learn to play some songs written by your favourite guitarist’s influences.

In other words, if your favourite guitarist is guitar player A, and guitar player A was influenced by guitar players B, C, D, and E, learn to play some of their songs.

You will learn a ton from this.

When you actually play these songs you will be able to see and hear the similarities and differences much better.  On top of that you will have lots of fun!

If you can learn these songs by ear─awesome!  If your ears aren’t quite there yet, check out -> How to Buy Guitar Sheet Music, Songbooks or Tab and Not Get Ripped Off for some tips on getting accurate tab and sheet music.

In part 2 of this article, we will take this Circle of Influence exercise even further.